Richard Müller

1874–1954

An Artist between Surrealism and Realism

Richard Müller

Even as a student at the Academy of Art in Dresden, Richard Müller began creating a wholly unique cosmos of images in his drawings, etchings, and paintings that is said to have set him apart from the artistic currents of his time throughout his entire life. These surreal compositions and photo-realistic representations, peppered as they are with Old Master motifs and nightmarish juxtapositions, baffled – just as they fascinated – Müller‘s contemporaries all around the world. A lack of understanding of his work and the eventual defamation of Müller‘s name, coupled with his own inability to cope with the upheavals of modernity, later distorted people‘s view of his ingenious technique and the creative power of his oeuvre, however. It is therefore now time to reclaim this unjustly forgotten artist‘s works – with their Old Masterly perfection and symbolically-charged contents – from the cabinets of museums and connoisseurs and to discover them, anew, for the public.

1874
On July 28, Richard Müller is born as the son of a Saxon weaver in the Bohemian town of Tschirnitz
1888
Accepted at the early age of 14 into the painting school at the Royal Saxon Porcelain Manufacture in Meißen thanks to his unusual talent for drawing
1890
Admitted to the Royal Academy of Art in Dresden; studies with Leonard Gey and Friedrich Leon Pohle
1893
At age 19, leaves the conservative Academy and forms his own atelier in Dresden with Sascha Schneider and Hans Unger; first successful exhibition of animal studies; member of the secessionist Verein Bildender Künstler Dresden
1897
Receives the Rome Prize from the Prussian Academy of Arts; Max Klinger and Ernst Moritz Geyger insire him to work with the media of etching; teaches at Guido Richter‘s private art school in Dresden; friendship with Hans Thoma and Franzvon Stuck
1898
Ernst Seeger and Fritz Gurlitt publish the first portfolio of his graphic works; receives general acclaim as a painter as well; wins the Great Golden Medal of the city of Dresden at the World Fair in Paris
1900
Marries the famous American concert singer Lillian Sanderson
1902
Birth of his son, Adrian Lukas
1903
Professor of Drawing at the Royal Academy of Art in Dresden; teaches George Grosz, Richard Scheibe, and Max Ackermann, among others
1904
Appointed to the international jury of the World Fair in St. Louis
1905
Member of the Alliance of German Artists, declines a professorship in Berlin
1914
Conscripted into the military as a draftsman on the Western front
1915
Called back to the Academy in Dresden
1920
Became founding member of the Deutsche Kunstgesellschaft
1921
Special exhibition of Müller‘s work in Dresden; Franz Hermann Meißner publishes the first monograph on Müller; the artist‘s son markets his works
1924
Appointed as Director of Studies at the Dresden Academy of Art
1933
Nominated as Rector of the Academy; becomes a member of the Nazi Party; pens virulent article on the occasion of the Degenerate Art exhibition in Dresden
1935
Instigates his expulsion from the Party; dismissed as Rector, but exhibits occasionally in the Große Deutsche Kunstausstellungen at the Haus der Kunst in Munich
1948
Membership in the GDR artists‘ trade union is refused; lives on chance commissions after his defamation as a persona non grata
1954
On May 7, Richard Müller dies, lonely, at his home in Dresden-Loschwitz